The Bewitching (2025)

1.5 Stars · Linda’s Rating
Page Count
357 pages
Release Date
2025-07-15

Jump to Section

⚠ Full Spoilers Ahead. This page contains complete plot summaries, the ending, and all major reveals. Turn back if you don’t want to be spoiled.
  • Animal death & cruelty
  • Blood & gore
  • Decapitation
  • Death & murder
  • Sexual content
  • Blood drinking
  • Depression & anxiety
  • Mental illness
  • Institutionalization / sanatoriums
  • Substance use & alcohol abuse
  • Occult themes & witchcraft
  • Grief & loss
  • Racism & xenophobia
  • Sexual harassment
  • Terminal illness
  • Pandemic / illness
  • Suffocation
  • Body horror

The Bewitching follows three generations of women connected by witchcraft and murder. In 1908 Mexico, Alba Quiroga discovers that her uncle Arturo is a teyolloquani, or heart-eater, who transforms her brother Tadeo into a monster. After Tadeo kills Alba’s lover, Valentín, Alba is forced to kill her brother. She then poisons her own blood so Arturo will ingest it and beheads him once the poison weakens him.

In 1934, Stoneridge student Ginny Somerset becomes convinced someone is hunting her. She researches black magic, draws protective witch marks, and eventually disappears. Everyone assumes she ran away with handyman Santiago Ferreira, although Santiago actually vanished several days before her.

In 1998, Alba’s great-granddaughter Minerva Contreras investigates Ginny’s disappearance while researching writer Betty Tremblay. She discovers that elderly Carolyn Yates, formerly Carolyn Wingrave, belongs to a family of witches who sacrifice “witchborn” people to prolong their lives. Carolyn murdered Santiago, Ginny, and the recently missing Thomas Murphy, and now intends to sacrifice Minerva.

Remembering Alba’s story, Minerva turns her own blood poisonous and tricks Carolyn into drinking it. With help from Santiago’s ghost, she reaches an axe and beheads Carolyn, whose body crumbles into dust. Carolyn’s grandson Noah moves to Boston after being freed from her control, while Minerva continues her research—and begins using protective witch marks herself.

1908: Alba and the Heart-Eater

The story begins in Mexico in 1908 with Alba Quiroga, whose family is struggling to keep their farm, Piedras Quebradas, running after the death of her father. Alba lives there with her mother, Luisa, her older brother Tadeo, and their younger siblings. Their situation changes when Luisa’s brother, Arturo Velarde, arrives and offers to help manage the property.

Arturo is educated, sophisticated, and charming, but Tadeo dislikes him immediately. He sees his uncle as a useless outsider who has attached himself to the family now that Alba’s father is dead. His suspicions become much more frightening when strange things begin happening around the farm. Animals die, and then Tadeo himself disappears, leaving behind a bloodstained room.

Desperate to find her brother, Alba turns to Valentín Pimentel, a local farmhand with whom she is falling in love. Her search also brings her into contact with the women of Los Pinos whom others dismiss as witches, particularly Jovita and Perpetua.

Perpetua understands what Alba is dealing with because she has encountered Arturo before. Years earlier, he killed Perpetua’s daughter, Elena. Arturo is a teyolloquani, a heart-eater who uses dark magic and feeds upon others. Tadeo has not simply disappeared: Arturo has transformed him into a monstrous creature.

The creature attacks and kills Valentín, and Alba is forced to shoot it. Only afterward does she realize she has killed her own brother.

Arturo finally drops the pretense of being the helpful uncle. He wants control of the family’s wealth, but his obsession extends to Alba herself. He believes that she possesses the same supernatural potential he does and tells her they are “made of the same substance.”

Rather than surrender to him, Alba follows Perpetua’s instructions for creating a poison capable of killing a witch. She burns a family portrait and combines its ashes with salt and a moth’s wing, then consumes the mixture so that her own blood becomes poisonous to Arturo.

She allows him to feed from her.

The poison weakens him, giving Alba the chance she needs. She takes an axe and beheads Arturo, finally ending the threat he poses to her family.

Alba survives, but she carries the knowledge of what happened with her for the rest of her life. Decades later, the story of the heart-eater becomes one of the frightening tales she passes down through her family—including to the great-granddaughter who will eventually need it.

1934: Ginny Somerset Vanishes

More than twenty-five years later, something equally disturbing is happening at Stoneridge College.

In 1934, Beatrice “Betty” Tremblay arrives at Stoneridge as a working-class scholarship student and becomes roommates with Virginia “Ginny” Somerset. Ginny is eccentric, deeply interested in Spiritualism, astrology, ghosts, and the occult. She claims she can communicate with spirits and draws natal charts, making her stand out among the college’s more conventional students.

One of those students is Carolyn Wingrave, a wealthy young woman who initially has little affection for either roommate. Tensions are especially high because Carolyn is interested in Edgar Yates, a wealthy law student. When Edgar instead becomes engaged to Ginny, Carolyn’s attitude shifts, and she begins spending more time around Betty and Ginny.

Soon, Ginny becomes frightened.

She believes a mysterious man wearing a blue coat is following her. A dead rat appears in her bed. She begins obsessively researching black magic and drawing strange symbols she calls “witch marks,” apparently believing they can protect her from whatever is pursuing her.

Then, on December 19, 1934, Ginny disappears.

The convenient explanation is that she ran away with Santiago Ferreira, a Portuguese handyman who worked around the college. With both of them gone, people assume the two left together.

But the story does not hold up.

Journalist Benjamin Hoffman investigates and discovers that Santiago actually disappeared five days before Ginny did. He therefore could not have simply whisked her away on December 19 as everyone assumed.

No definitive explanation for Ginny’s disappearance is ever found, and Betty never gets over losing her friend. The mystery follows her for decades and influences the horror fiction she eventually writes. She and Edgar—who later marries Carolyn—also compile a “Black List” documenting strange disappearances that appear to have something uncanny connecting them.

Ginny’s fate remains unresolved for more than sixty years.

1998: Minerva Begins Digging Into the Past

In 1998, Minerva Contreras arrives at Stoneridge as a graduate student studying Betty Tremblay’s horror fiction. What begins as academic research gradually turns into an investigation of the real events that inspired Betty’s work.

Minerva is also Alba Quiroga’s great-granddaughter. Growing up, she heard Nana Alba’s frightening stories, including the tale of the teyolloquani. They seemed like family folklore when Minerva was younger, but Stoneridge is about to make those stories much harder to dismiss.

With help from her friend Hideo Ogawa, Minerva begins investigating Ginny’s disappearance and trying to gain access to Betty’s private papers. That brings her into the orbit of the elderly Carolyn Yates, formerly Carolyn Wingrave, who is still alive more than six decades after Ginny vanished.

Minerva also meets Carolyn’s grandson, Noah Yates, an aimless young man whose life remains heavily controlled by his grandmother.

As Minerva digs deeper, she learns about another disappearance. A Stoneridge student named Thomas Murphy, who had been tutoring Noah, recently vanished under mysterious circumstances.

Thomas left behind notebooks filled with disturbing material. Most importantly, Minerva discovers drawings that match the witch marks Ginny was making shortly before her disappearance in 1934.

The similarities are too specific to ignore.

What happened to Ginny was not an isolated tragedy. The same supernatural forces operating at Stoneridge decades ago are still there.

The Truth About Carolyn Wingrave

Minerva eventually discovers that the Wingrave family has its own history of witchcraft. Members of the family preserve their lives and power by sacrificing people who are “witchborn”—individuals possessing supernatural potential.

And Carolyn is one of them.

The elegant elderly woman Minerva knows is partly an illusion. Beneath a magical glamour, Carolyn is physically decrepit and nearly bald, her unnaturally prolonged life dependent on the magic she has been practicing for decades.

She is also responsible for the disappearances Minerva has been investigating.

Carolyn killed Santiago Ferreira in 1934 and then murdered Ginny Somerset, who had begun to understand what was happening and tried to protect herself with the witch marks. Decades later, Carolyn killed Thomas Murphy for the same reason: he was another potential sacrifice.

Now she wants Minerva.

Minerva has inherited the same supernatural potential that once made Arturo interested in Alba, making her exactly the kind of victim Carolyn needs.

Carolyn kidnaps Minerva and brings her to the abandoned ruins of the old Wingrave factory. She intends to sacrifice her there and makes it clear that resisting will endanger both Hideo and Noah.

But Carolyn does not know that Minerva has something her previous victims did not: Alba’s story.

Minerva Turns Alba’s Weapon Against Carolyn

Trapped inside the factory, Minerva remembers how her great-grandmother defeated Arturo almost ninety years earlier. Alba did not overpower the heart-eater directly. She made herself poisonous to him.

Minerva realizes she can do the same thing.

Using a photograph of Alba as part of the preparation, Minerva drinks a potion designed to turn her blood into poison. She then uses a box cutter to slash her own wrist, deliberately giving Carolyn what she thinks she wants.

Carolyn drinks Minerva’s blood.

Almost immediately, she begins choking.

The same trick that killed Arturo has worked again.

As Carolyn weakens, Minerva receives unexpected help from Santiago’s ghost, which has remained trapped around the factory since his murder in 1934. His presence helps Minerva reach an axe.

She uses it to behead Carolyn.

Afterward, Carolyn’s unnaturally preserved body crumbles into dust, finally ending the life she maintained through decades of murder and sacrifice.

Her death also breaks the control she maintained over Noah. Free from his grandmother’s influence, Noah leaves Stoneridge and moves to Boston, finally able to begin a life of his own.

Minerva survives and continues her academic work, but she no longer treats her family’s stories as superstition. She understands that Alba’s tales were warnings and instructions passed down through generations.

And she takes precautions.

Minerva begins surrounding herself with the same kind of elaborate witch marks that Ginny once desperately drew for protection. This time, however, the woman drawing them knows exactly what she is protecting herself from.

The ending of The Bewitching brings its two main timelines together, revealing that Minerva and Alba are fighting essentially the same battle ninety years apart.

Minerva and Carolyn — 1998

Minerva finally realizes that Carolyn Yates is a teyolloquani—a heart-eater who has been sustaining herself by feeding on others. Carolyn is responsible for the deaths of Ginny Somerset, Santiago Ferreira, and Thomas Murphy, and Minerva understands that she may be next.

But Ginny and Minerva’s great-grandmother, Alba, have effectively left her a survival manual.

Using the clues hidden in Alba’s stories and Ginny’s notes, Minerva deliberately turns herself into a trap. She drinks a poison intended for witches, then cuts her wrist with a box cutter, knowing Carolyn will be unable to resist her blood.

Carolyn takes the bait.

She drinks from Minerva, but the poisoned blood quickly begins to affect her. Carolyn chokes and weakens, giving Minerva a chance to fight back. Even then, Minerva nearly loses—until the ghost of Santiago intervenes, throwing a can of nails and distracting Carolyn long enough for Minerva to reach an axe.

Minerva beheads Carolyn.

Carolyn’s death is strangely complete: her body, along with the supernatural objects she has accumulated, crumbles into dust. The woman who prolonged her existence by consuming other people is finally erased herself.

Alba and Arturo — 1908

At the same time, the novel reveals the full ending of Alba’s story.

Alba has discovered that her uncle, Arturo, is also a heart-eater and that he is responsible for the deaths of both her brother Tadeo and Valentín. Like Minerva decades later, Alba realizes she cannot overpower him conventionally. She has to make herself irresistible to him.

She poisons her own blood using ashes from her mother’s portrait and a crushed moth wing. Arturo drinks from her and becomes incapacitated.

Alba then kills him with an axe.

The parallel is deliberate: two women from the same bloodline, separated by generations, defeat predatory witches in almost exactly the same way. Alba’s story isn’t simply something Minerva has been researching. It becomes the knowledge that allows Minerva to survive.

But Alba’s victory comes with one final disturbing revelation: she is pregnant with Arturo’s child.

She plans to name the baby Tadea, after her murdered brother, and vows to teach her daughter the stories of witches so that she will recognize the danger if it ever returns. Those stories eventually travel through the generations to Minerva.

In other words, Alba saves Minerva before Minerva is even born.

The Epilogue

Minerva returns to Stoneridge College, where Carolyn’s disappearance remains officially unexplained. Minerva has cleaned the abandoned factory and removed the evidence of what really happened there.

Noah Yates drops out of Stoneridge and moves to Boston, leaving the Willows behind. Minerva, meanwhile, continues working toward her doctorate.

But she doesn’t return to being the skeptical academic she was before.

Her home is now covered with protective witch marks, and she is accompanied by the ghostly presence of her dead cat, Karnstein, who has effectively become her familiar.

Minerva has accepted that the supernatural world she once studied from a safe intellectual distance is real—and that she belongs to it.

What the Ending Means

At its heart, the ending is about inheritance.

Throughout the novel, inheritance seems threatening. Evil passes through families. Magical abilities run through bloodlines. Trauma repeats itself. Arturo’s violence reaches into future generations, just as Carolyn’s predation continues for decades.

But Moreno-Garcia turns that idea around at the end.

Knowledge can be inherited too.

Alba cannot prevent future generations from encountering evil, but she can leave them stories. Those stories preserve the information Minerva needs almost a century later. What initially looks like folklore becomes a form of intergenerational protection.

That makes the parallel deaths of Arturo and Carolyn especially important. Both Alba and Minerva transform themselves from prey into traps. The heart-eaters believe blood is something they can consume for power. Instead, the women’s blood becomes poisonous to them.

The symbolism is wonderfully vicious: the predator is destroyed by the very thing it hungers for.

The axe undergoes a similar transformation. For Alba, it is associated with unpleasant domestic labor and slaughter. By the climax, it becomes an instrument of liberation. Minerva repeating Alba’s method makes the axe almost ceremonial—a weapon passed symbolically from one witchborn woman to another.

The recurring circles and the mysterious Black List reinforce the idea of history repeating itself. People disappear. Stories are buried. New victims take the places of old ones. Minerva finally gives the story the ending that Ginny and the others never received.

She breaks the circle—or at least this particular circle.

Why Minerva Keeps Noah Outside

Minerva’s final interaction with Noah is also significant.

She doesn’t invite him into her protected home.

Earlier, Minerva is fascinated by the Yates family and the privileged world surrounding them. By the end, that fascination has been replaced by caution. Carolyn may be dead, but Noah still belongs to her bloodline.

The novel never establishes that Noah will become another Carolyn. That’s precisely what makes the moment unsettling. Minerva doesn’t know.

And now she understands that not knowing is reason enough to be careful.

Karnstein and Minerva’s Transformation

Karnstein’s ghost provides one of the ending’s gentler images.

Minerva began the novel as someone studying witchcraft academically—collecting stories, examining texts, trying to impose rational explanations on supernatural traditions. By the end, she lives inside one of those stories.

She has witch marks on her walls.

She has a familiar.

She has killed a heart-eater.

And she accepts all of it.

Karnstein therefore represents more than Minerva’s continuing connection to something she loved. His presence confirms that magic has become part of her ordinary reality.

The Final Message

The ending doesn’t suggest that Minerva has permanently defeated evil. Arturo and Carolyn are dead, but the forces that produced them haven’t disappeared. Bloodlines continue. Old hungers survive. Magic persists despite modernity.

What changes is Minerva.

The novel begins with people haunted by things they don’t understand and ends with a woman who understands enough to protect herself.

That gives The Bewitching its cautiously hopeful conclusion. Minerva hasn’t escaped her inheritance; she has learned how to use it. Alba’s trauma becomes a story, the story becomes knowledge, and the knowledge becomes Minerva’s weapon.

The witches survive because they remember.

🔶 Main Characters

ChatGPT Image Aug 7, 2026, 09_12_24 PM
Minerva Contreras — 1998 Protagonist
Role: Stoneridge graduate student researching horror writer Beatrice Tremblay.
Personality: Studious, ambitious, anxious, intuitive.
Significance: She uncovers the Wingrave family secret and discovers Carolyn Yates is a heart-eating witch.
ChatGPT Image Aug 7, 2026, 09_14_53 PM
Alba Quiroga — 1908 Protagonist
Role: Minerva’s great-grandmother and a young woman living on her family’s Mexican farm.
Personality: Refined, sensitive, courageous, protective.
Significance: She discovers that her uncle Arturo is a teyolloquani and becomes the ancestor whose story ultimately teaches Minerva how to defeat one.
ChatGPT Image Aug 7, 2026, 09_23_08 PM
Carolyn Wingrave / Yates — Primary Antagonist
Role: A wealthy Stoneridge socialite in 1934 who survives into 1998 as an elderly donor and powerful teyolloquani.
Personality: Snobbish, charming, ruthless, predatory.
Significance: She murders Ginny Somerset, Santiago Ferreira, and Thomas Murphy, consuming hearts to extend her life.
ChatGPT Image Aug 7, 2026, 09_20_46 PM
Arturo Velarde — 1908 Antagonist
Role: Alba’s sophisticated uncle and a powerful heart-eating warlock.
Personality: Arrogant, manipulative, hypnotic, parasitic.
Significance: He murders Tadeo and Valentín, previously killed Perpetua’s daughter Elena, and plans to possess both the Quiroga farm and Alba.
ChatGPT Image Aug 7, 2026, 09_19_58 PM
Virginia “Ginny” Somerset — 1934 Key Figure
Role: A Stoneridge transfer student, Betty’s roommate, and Spiritualist who claims to communicate with ghosts.
Personality: Eccentric, mysterious, sensitive, perceptive.
Significance: Her disappearance becomes the central mystery connecting Betty’s experiences to Minerva’s investigation decades later.
ChatGPT Image Aug 7, 2026, 09_22_19 PM
Beatrice “Betty” Tremblay — 1934 Protagonist / Narrator
Role: A scholarship student, aspiring horror writer, and Ginny’s close friend.
Personality: Ambitious, observant, loyal, regretful.
Significance: Her writings, particularly The Vanishing and her “Black List” of disappearances, preserve crucial clues that eventually help Minerva uncover the truth.

🔷 Supporting Characters

Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Tadeo Quiroga — Alba’s Brother
Role: Alba’s protective brother and one of Arturo’s victims.
Personality: Suspicious, protective, hot-tempered.
Significance: His disappearance reveals the horrifying extent of Arturo’s magic.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Valentín Pimentel — Alba’s Love Interest
Role: A farmhand who helps Alba investigate the strange events surrounding her family.
Personality: Rugged, loyal, brave, affectionate.
Significance: He becomes Alba’s closest ally against Arturo and represents the future she might have had without Arturo’s interference.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Edgar Yates — Ginny’s Fiancé
Role: Ginny’s fiancé who later marries Carolyn.
Personality: Grief-stricken, troubled, alcoholic.
Significance: His connection to both Ginny and Carolyn ties the victim and murderer together long after Ginny disappears.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Santiago Ferreira — Murder Victim / Ghost
Role: A Portuguese handyman at Stoneridge with a small amount of magical ability.
Personality: Kind, hardworking, spiritually gifted.
Significance: His murder becomes another piece of the Wingraves’ history of ritual killing.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Noah Yates — Carolyn’s Grandson
Role: Carolyn’s aimless grandson and the focus of her plans for continuing the magical family line.
Personality: Passive, restless, dependent.
Significance: Carolyn hopes to use Noah’s future child to continue the Wingrave warlock lineage.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Hideo Ogawa — Minerva’s Friend
Role: Minerva’s loyal friend and fellow student.
Personality: Friendly, dependable, supportive.
Significance: He assists Minerva during her investigation and provides an important connection to ordinary life amid the supernatural events.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Thomas Murphy — Stoneridge Student
Role: A student at Stoneridge who tutors Noah.
Personality: Curious, intelligent, unfortunate.
Significance: He discovers Ginny’s witch marks, putting him directly in Carolyn’s path.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Benjamin Hoffman — Journalist
Role: A journalist and longtime friend of Betty.
Personality: Loyal, compassionate, helpful.
Significance: He preserves important information about Santiago and later provides Minerva with crucial pieces of the mystery.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Luisa Quiroga — Alba’s Mother
Role: The widowed matriarch of the Quiroga family.
Personality: Stoic, practical, skeptical.
Significance: Her refusal to believe in supernatural explanations makes it easier for Arturo to manipulate the family.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Perpetua — Witch of Los Pinos
Role: A local witch whose daughter Elena was murdered by Arturo.
Personality: Knowledgeable, grieving, wary.
Significance: She reveals Arturo’s true nature and gives Alba the poison-for-witches recipe that ultimately saves her life.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Wesley Noah Wingrave — Carolyn’s Father
Role: Carolyn’s father and a powerful warlock.
Personality: Cruel, slippery, manipulative.
Significance: He helps Carolyn commit the murders that establish her as a heart-eater, including the killings of Ginny and Santiago.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Conrad Carter — Stoneridge Troublemaker
Role: A student who harasses Minerva.
Personality: Hostile, immature, antagonistic.
Significance: He acts as a mundane threat and briefly complicates Minerva’s attempts to understand the genuinely supernatural danger around her.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Jovita — Witch of Los Pinos
Role: An elderly local witch consulted by Alba.
Personality: Wise, mysterious, perceptive.
Significance: She confirms that Alba possesses supernatural “portents” and provides a bird talisman.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Elena — Perpetua’s Daughter
Role: A previous victim of Arturo.
Personality: Her personality is largely unknown.
Significance: Her murder proves Arturo has been a heart-eater long before he targets the Quiroga family.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Magdalena Quiroga — Alba’s Younger Sister
Role: One of Alba’s younger siblings.
Personality: Difficult, undermining, troublesome.
Significance: She contributes to the tense dynamics within the Quiroga household but plays a relatively small role in the supernatural conflict.
Gemini_Generated_Image_9tlzoi9tlzoi9tlz
Fernanda — Quiroga Family Maid
Role: A young maid working for the Quiroga household.
Personality: Superstitious, fearful, observant.
Significance: Her fear of the family’s growing “bad luck” reinforces the mounting sense that something supernatural is happening at the farm.
The “Ghost” Email from Thomas Murphy

Carolyn admits that she murdered Thomas in December, yet the college registrar and Thomas’s sister both received an email from him in January saying he was dropping out. The book never explains who sent the email after Thomas was already dead or how they accessed his account.

Santiago’s Conflicting Disappearance Timeline

Santiago’s housemates say they had not seen him since December 14, 1934, but Mary Ann Mason sees him outside the dorm on December 17, two days before Ginny disappears. Carolyn later confirms that she was the woman seen with Santiago, meaning the sighting actually occurred. The book never reconciles how Santiago could have already been considered missing for three days.

Q : How did the three timelines change the way you experienced the mystery? Did knowing pieces of Alba’s and Ginny’s stories make Minerva’s investigation more suspenseful, or did it reveal too much too soon?
A : The timelines create a sense that the same danger keeps resurfacing across generations. Knowing what happened in the past gives readers clues that Minerva doesn’t have yet, which can make her encounters with Carolyn especially tense. At the same time, each timeline leaves enough unanswered that the full connection between the women only becomes clear gradually.
Q : How does the idea that magic comes from intense human desire fit the different ways characters use it throughout the novel?
A : Magic seems less inherently good or evil than dependent on what someone wants badly enough to pursue. Arturo and Carolyn use their abilities to satisfy selfish desires for power, survival, and longevity, while Alba and Minerva ultimately use theirs to survive and protect themselves. The difference may be less about possessing magic than what a person is willing to do with it.
Q : Carolyn treats the people she targets almost like possessions or things to consume. How did her behavior affect the way you viewed the novel’s themes of wealth, class, and privilege?
A : Carolyn’s supernatural hunger can be read as an exaggerated version of exploitation. She benefits from people who have less power than she does while rarely facing consequences because of her status and connections. The fact that several victims are students or workers with fewer advantages makes the heart-eater mythology feel connected to the book’s larger class divisions.
Q : Minerva and Alba both experience warnings and instincts that other people might dismiss as anxiety, superstition, or imagination. When do you think they begin trusting themselves instead of other people’s explanations?
A : Both women spend part of their stories questioning sensations that they cannot logically explain. Their turning points come when they realize those instincts have repeatedly warned them about genuine danger. Accepting that they are “witchborn” allows them to reinterpret something that once made them feel vulnerable as a source of knowledge and strength.
Q : Betty spends much of her life trying to understand what happened to Ginny. How much of her obsession do you think comes from love, and how much comes from guilt?
A : The two seem almost impossible to separate. Betty eventually understands how deeply she loved Ginny, but she also knows that she failed to believe her when Ginny was frightened. Her lifelong research can therefore feel like both an expression of love and an attempt to make amends for something she can never actually undo.
Q : Alba and Minerva ultimately defeat their attackers by deliberately turning their own blood into a trap. What did you think of that method of defeating the heart-eaters?
A : It reverses the power dynamic in a satisfying way. Arturo and Carolyn assume that the women’s bodies are theirs to consume, but Alba and Minerva exploit that assumption. Instead of defeating their attackers through greater physical strength, they turn the very thing the predators want into the weapon that destroys them.
Q : Birds appear repeatedly throughout the novel, including peacocks, Alba’s parrot, and birds associated with magic and protection. What meaning did you attach to this recurring imagery?
A : Birds seem connected to the boundary between the ordinary and supernatural worlds. They can be companions, warnings, familiars, or signs that something unseen is nearby. Their repeated appearance also helps connect generations of witchborn women even when those women never directly know one another.
Q : Carolyn insists that the belongings she kept from her victims were “trophies,” not a shrine. What does that distinction tell us about how she sees the people she has harmed?
A : Calling them trophies makes her relationships seem even more disturbing because it suggests conquest rather than attachment. Carolyn may imitate friendship and affection when useful, but she ultimately views other people in terms of what they can provide her. Keeping their belongings allows her to privately celebrate how completely she deceived everyone around her.
Q : At the end, Minerva refuses to invite Noah Yates inside her home. Do you think her caution is justified, or has everything she experienced made it impossible for her to trust people connected to Carolyn?
A : Her caution feels understandable because Minerva now knows that supernatural abilities and dangers can continue through families. Noah himself may never become a threat, but Minerva no longer assumes that appearances or ordinary explanations tell the whole story. Her refusal shows how surviving Carolyn has permanently changed the way she approaches trust.
Q : How does Stoneridge College contribute to the atmosphere of the novel beyond simply providing a setting for Minerva’s story?
A : Stoneridge looks respectable and scholarly on the surface, yet its buildings and history conceal disturbing events that most people have forgotten. That contrast makes it an effective Gothic setting. The college becomes another example of the novel’s idea that something polished and respectable can be built directly over something dark.
Q : Both Arturo and Carolyn are charming, cultured, and attractive enough to draw people toward them. Why do you think their victims have such difficulty recognizing the danger they represent?
A : Their appeal is part of what makes them effective predators. They offer sophistication, attention, opportunity, or access to a world their victims find appealing. The novel suggests that evil does not necessarily announce itself through frightening appearances; sometimes the most dangerous person in the room is the one everyone wants to impress.
Q : Minerva believes she has finally “broken the circle” surrounding Ginny’s disappearance. Did the ending feel hopeful to you, or did the continued presence of magic and danger make it feel more unsettling?
A : There is real closure because Ginny’s fate is finally understood and Carolyn can no longer continue killing. But Minerva’s wards, her familiar, and her caution around Noah show that defeating one heart-eater has not eliminated the supernatural world. She has gained knowledge and control, but that knowledge also means she can never return completely to the life she had before.
1.5 / 5 Stars · Linda’s Rating

My biggest issue was the pacing. This book felt far too long for how little actually happens. I don’t mind multiple timelines when each one adds momentum, but here all three moved so slowly that I repeatedly considered DNFing. Instead of building suspense, the constant switching made the story feel repetitive and emotionally distant.

There were definitely things I appreciated. The folklore surrounding the teyolloquani was fascinating, the gothic atmosphere was strong, and I genuinely wanted answers to the central mystery. The audiobook narrator was also fantastic and probably deserves credit for getting me to the end. 😂

But ultimately, the payoff wasn’t enough to justify the journey. I wanted more tension, more horror, and significantly more plot.

1.5 stars—and that extra half-star might belong entirely to the narrator. 🎧😴

As of August 2026, there is currently no screen adaptation in development.

Mexican Gothic (2020)
Silvia Moreno-Garcia
The Hacienda (2022)
Isabel Cañas
The Year of the Witching (2020)
Alexis Henderson
Slewfoot: A Tale of Bewitchery (2021)
Brom
The Once and Future Witches (2020)
Alix E. Harrow
The Witch in the Well (2022)
Camilla Bruce
The Deathless Girls (2019)
Kiran Millwood Hargrave
The Silent Companions (2017)
Laura Purcell
The Lighthouse Witches (2021)
C. J. Cooke
The Haunting of Alejandra (2023)
V. Castro
The Invocations (2024)
Krystal Sutherland
The Witch and the Tsar (2022)
Olesya Salnikova Gilmore

See an error on this page?

Searching...

Report an Error

Help keep SPILLTHEPLOT accurate. We’ll review your report promptly.
📖 Reporting for: The Bewitching (2025)