Butcher & Blackbird (2023)

5 Stars · Linda’s Rating
Page Count
355 pages
Release Date
2023-08-15

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⚠ Full Spoilers Ahead. This page contains complete plot summaries, the ending, and all major reveals. Turn back if you don’t want to be spoiled.
  • Gore and graphic violence
  • Graphic murder
  • Eyeball and eye socket trauma
  • Amateur surgery
  • Skin removal and skin ornaments
  • Chainsaws, axes, knives, and scalpels
  • Cannibalism
  • Corpse desecration
  • Mummified corpse
  • Lobotomy
  • Detailed sexual content
  • Rough sex
  • BDSM (Dom/sub dynamics)
  • Choking during sex
  • Spitting during sex
  • Anal sex
  • Sex toys
  • Praise kink
  • Genital piercings
  • Child abuse (references)
  • Child sexual abuse (references)
  • Parental neglect
  • Parental death (references)

Serial killers Sloane Sutherland and Rowan Kane meet while trying to kill the same murderer and discover they both exclusively hunt other serial killers. They begin an annual competition to see who can kill a designated target first, traveling across the country to eliminate increasingly monstrous murderers. Along the way they fall in love, survive deadly encounters with cannibals and chainsaw killers, and rescue a seemingly broken servant named David Miller—who later reveals himself to be the South Bay Slasher. David tortures Rowan before Sloane tricks him into lowering his guard and kills him. Rowan immediately proposes at the bloody crime scene, Sloane accepts, and they commit to spending the rest of their lives hunting killers together. The epilogue introduces The Phantom, a man seeking revenge against Rowan by targeting his brother Lachlan.

A Deadly Meeting in the Bayou

The story opens during a sweltering Louisiana summer with Sloane Sutherland, a vigilante serial killer known to the public as “The Orb Weaver,” in serious trouble. After tracking notorious murderer Albert Briscoe, better known as the “Beast of the Bayou,” she ends up captured and locked inside one of his cages instead of killing him. Before Briscoe can finish the job, another hunter arrives: Rowan Kane, an Irish-born chef whose own murderous exploits have earned him the nickname “Boston Butcher.”

The two quickly realize they share an unusual hobby—they exclusively hunt and kill other serial killers. After working together to eliminate Briscoe and burn his home to the ground, they sit down for a surprisingly civilized meal. Their chemistry is immediate, and Rowan proposes an unusual tradition. Every year, they’ll compete to see who can track down and kill a designated serial killer first. What begins as a morbid game soon becomes the foundation of an increasingly complicated relationship.

The First Hunt in West Virginia

A year later, the first official competition begins. Rowan’s older brother, Lachlan Kane, a talented leatherworker who secretly works as a highly paid contract killer, selects their first target.

Sloane and Rowan travel to the Cunningham Inn in Ivydale, West Virginia, where they stay under the watchful eye of the innkeeper, Francis. During the investigation, Rowan learns more about Sloane’s personal life, especially her friendship with Lark Montague, a music therapist who is the only person Sloane completely trusts.

Their investigation eventually uncovers Francis’s horrifying secret. Rather than simply running an inn, he has built hidden passages throughout the building so he can spy on his unsuspecting guests before selecting victims for his own twisted entertainment.

When Francis realizes he’s been discovered, he tries to escape, but Rowan catches him outside and savagely beats him to death, winning the first round of their competition. As they dispose of the body, Rowan opens up about his childhood for the first time, revealing the years of abuse he and Lachlan suffered at the hands of their violent father and how the brothers ultimately killed him to escape.

The Cannibal’s Mansion

About six months later, Sloane visits Rowan in Boston, where he runs his successful restaurant, 3 In Coach. While there, she meets Lachlan again, whose intimidating personality immediately puts her on edge. Things only become more awkward when she misinterprets Rowan’s friendship with the glamorous socialite Anna, convincing herself she has embarrassed herself. Mortified, she returns home to Raleigh before Rowan can explain.

Determined to repair the damage, Rowan spends the next week cooking with her over the phone. He sends groceries to her house each day, and together they prepare meals despite being hundreds of miles apart. The shared ritual helps rebuild the closeness between them.

Their next competition sends them to California to hunt Thorsten Harris, who now lives under the identity Jeremy Carmichael. Behind the façade of wealth and sophistication lies a cannibalistic serial killer who hosts lavish dinner parties while secretly serving human flesh.

During one of those dinners, Rowan unknowingly drinks drugged wine and nearly becomes Thorsten’s next meal. Sloane notices something is wrong before drinking her own glass, allowing her to stay alert. She overpowers Thorsten and kills him herself, winning the round.

Rather than simply disposing of the body, Sloane creates one of her signature artistic crime scenes, arranging Thorsten’s corpse into an elaborate topographical map that marks the locations of all his hidden victims.

While searching the mansion, they also discover David Miller, a seemingly broken servant whose personality appears to have been destroyed after years of abuse and lobotomization. Feeling sorry for him, they decide to take him with them rather than leave him behind.

The Texas Hunt Brings Them Together

As time passes, Rowan and Sloane grow closer outside of their annual competitions. They even attend a glamorous gala together, although the evening ends abruptly when an explosion in the kitchen damages Rowan’s restaurant and forces him back to work.

Their next target is Harvey Mead, a brutal chainsaw-wielding murderer living in rural Texas.

The hunt quickly turns disastrous. Sloane is attacked, suffers a badly dislocated shoulder, takes a boot to the face, and falls into a cellar where she discovers another captive, Autumn, who is still alive. Despite her injuries, Sloane manages to alert Rowan before Harvey can kill either of them.

Rowan arrives just in time to rescue them. Together they finally corner Harvey, but instead of killing him outright, Sloane uses his own preserved, mummified mother to terrify him so completely that the shock literally kills him.

With Sloane badly injured, Rowan takes her to Nebraska to recover under the care of his younger brother, Fionn Kane, a physician who can treat criminals without involving the authorities.

At Fionn’s house they meet Rose, a sarcastic former circus performer staying with him. Rose immediately recognizes the obvious attraction between Rowan and Sloane and has no problem pointing it out. Away from the violence and constant competition, the pair finally admit what has been building between them for years and begin a romantic relationship.

David’s Deception

As Rowan prepares to open his second restaurant, Butcher & Blackbird, everything begins falling apart.

The supposedly helpless David Miller reveals that he has been deceiving them from the very beginning. He was never a damaged victim at all. Instead, he is the infamous South Bay Slasher, another serial killer who manipulated Rowan and Sloane into rescuing him so he could stay close to them. While living under Rowan’s protection, David has secretly sabotaged Rowan’s restaurants and patiently waited for the perfect opportunity to strike.

He traps Rowan inside the restaurant kitchen and begins methodically torturing him, slicing strips of flesh from his arm while forcing him to watch.

Sloane arrives before David can kill Rowan, but she realizes she can’t overpower him directly. Instead, she performs the greatest deception of her life. Pretending she never cared about Rowan, she coldly claims their entire relationship was nothing more than a game and insists she only ever wanted to win their competitions.

Believing Rowan has truly been betrayed, David lets his guard down just long enough for Sloane to seize a scalpel and kill him.

Only after David is dead does Rowan realize every cruel word Sloane spoke was a calculated lie meant to save his life.

A Bloody Proposal

With David finally dead, Rowan wastes no time waiting for the perfect romantic setting.

Standing in the middle of the bloody crime scene, he proposes to Sloane using a sapphire engagement ring he had hidden inside one of the victims’ eye sockets as a surprise gift.

Sloane happily accepts.

The two embrace the strange life they’ve built together, looking forward to a future filled with shared meals, playful sparring in the garage, and continuing their annual tradition of hunting murderers side by side.

Epilogue

The novel ends by hinting that Rowan and Sloane’s story is far from over.

Watching them from across the street is a mysterious man known only as The Phantom. He is revealed to be the brother of one of Rowan’s previous victims and has spent years waiting for revenge.

Rather than targeting Rowan directly, The Phantom decides the best way to make him suffer is to come after the person he loves most—his brother, Lachlan Kane—setting up the events of the next novel.

The ending of Butcher & Blackbird delivers a bloody, unconventional happily-ever-after that feels perfectly suited to the novel’s twisted sense of romance. After surviving one final deadly threat, Sloane and Rowan stop circling each other as annual rivals and fully embrace a future together—both as lovers and as partners in their vigilante mission.

How Butcher & Blackbird Ends

The climax begins when David Miller, who has spent years pretending to be a harmless, lobotomized servant, reveals himself as the infamous South Bay Slasher. He captures Rowan Kane inside Rowan’s restaurant and brutally tortures him, slowly flaying strips of skin from his arm while waiting for Sloane Sutherland to arrive.

When Sloane reaches the restaurant, she realizes that charging in emotionally would only get Rowan killed. Instead, she coldly convinces David that Rowan means nothing to her, pretending she’s incapable of love and that Rowan was merely entertainment. The performance lowers David’s guard just enough for Sloane to pull a concealed scalpel and launch a vicious attack. She slashes his throat before driving the blade into his eye, finally killing him and saving Rowan.

With David dead, Rowan and Sloane leave behind their years of competing against one another. Rowan opens a second restaurant and names it Butcher & Blackbird, decorating it with leather wings and raven imagery inspired by Sloane—a permanent tribute to the woman he loves.

The novel ends during their first hunt as true partners. While tracking serial killer Dr. Stephan Rostis, Rowan proposes in the most fitting way imaginable for the two of them: he hides a blue-gray sapphire engagement ring inside the victim’s empty eye socket. Sloane accepts without hesitation, and together they commit to spending their lives hunting monsters—and loving each other—side by side.

The epilogue introduces a new danger. A mysterious man known only as The Phantom watches the Kane family from across the street. He is revealed to be the brother of one of Rowan’s former victims and vows revenge against Lachlan Kane, setting up the events of Leather & Lark.

Ending Explained

Love Doesn’t “Fix” Them—It Frees Them

Unlike many romances where one character redeems the other, Butcher & Blackbird never asks Sloane or Rowan to become different people. They remain serial killers from beginning to end.

Instead, the novel argues that genuine love comes from being completely understood. Both spent years believing they were fundamentally unlovable monsters. By finding someone whose darkness mirrors their own, they no longer have to hide or pretend to be normal. Their relationship isn’t about changing who they are—it’s about finally being accepted exactly as they are.

The Proposal Turns Death into Commitment

The engagement ring hidden inside an eye socket perfectly captures the novel’s twisted sense of romance.

Throughout the story, eyes are Sloane’s signature trophy and artistic obsession. By placing the engagement ring inside one, Rowan transforms one of her most macabre symbols into a declaration of lifelong commitment. It demonstrates that neither of them has to separate love from the darker parts of themselves. Their romance exists alongside their violent lives rather than in spite of them.

It’s grotesque by ordinary standards, but within their world it’s one of the most thoughtful and intimate proposals imaginable.

Color Represents Healing

Sloane’s crime scenes have traditionally reflected the emotional numbness created by her traumatic childhood. As her relationship with Rowan deepens, she begins incorporating vibrant colors into her elaborate displays.

The shift symbolizes more than artistic experimentation. Rowan has brought life, joy, and emotional warmth back into a woman who previously viewed the world through emotional grayscale. The darkness remains, but it is no longer empty or lonely.

Rowan Creates a Home

Naming his restaurant Butcher & Blackbird is Rowan’s ultimate declaration of love.

Earlier in the novel, Rowan literally rescued Sloane from captivity. By giving their shared name to his restaurant, he creates something permanent that belongs to both of them. Instead of living isolated lives connected only by their annual competitions, they now have a shared identity and a place that represents everything they’ve built together.

A Twisted but Genuine Happy Ending

Despite the gore, the novel ends on an unmistakably optimistic note. Sloane finally abandons her solitary existence and chooses vulnerability over isolation by moving to Boston and building a life with Rowan. Rowan, meanwhile, finds someone who understands every part of him without judgment.

Their version of domestic bliss simply happens to include hunting serial killers together.

The final tone is surprisingly warm beneath all the bloodshed. The story suggests that everyone longs for connection, and that love isn’t about becoming someone else—it’s about finding the rare person who accepts every piece of who you already are.

The epilogue reminds readers that violence inevitably creates more violence. The Phantom’s promise of revenge ensures the Kane family’s past will continue to haunt them, seamlessly launching the next installment, Leather & Lark.

🔶 Main Characters

Sloane
Sloane Sutherland — The Orb Weaver
Role: A serial killer who hunts other serial killers and Rowan Kane's eventual fiancée.
Personality: Shy, meticulous, acerbic, artistic, insecure, loyal.
Significance: Her emotional journey from isolated killer to finding love with Rowan forms the heart of the novel.
Rowan Kane
Rowan Kane — The Boston Butcher
Role: An Irish chef and vigilante serial killer who targets other serial killers.
Personality: Charismatic, witty, impulsive, protective, romantic, feral.
Significance: Creates the annual killing competition that brings him and Sloane together and helps her open herself to love.

🔷 Supporting Characters

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Lachlan Kane — The Protector
Role: Rowan's older brother, leatherworker, and professional killer for hire.
Personality: Gruff, cynical, intimidating, loyal, sarcastic.
Significance: Provides cleanup services, chooses competition targets, and fiercely protects his family.
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Lark Montague — The Sunshine Bestie
Role: Sloane's lifelong best friend and a music therapist.
Personality: Bubbly, supportive, cheerful, perceptive, secretly dark.
Significance: Serves as Sloane's emotional anchor and gradually becomes involved with the Kane family.
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David Miller — The South Bay Slasher
Role: A prolific serial killer who masquerades as Thorsten Harris's lobotomized servant.
Personality: Patient, manipulative, depraved, calculating, sadistic.
Significance: The novel's primary antagonist who infiltrates Rowan's life and brutally kidnaps and tortures him.
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Dr. Fionn Kane — The Hallmark Sad Man
Role: Rowan's younger brother and a physician.
Personality: Anxious, practical, caring, health-conscious, accepting.
Significance: Secretly patches up Rowan and Sloane's injuries while tolerating his brothers' murderous hobbies.
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Rose — The Circus Banshee
Role: A former circus performer staying with Fionn while recovering from a broken leg.
Personality: Feral, sharp-tongued, perceptive, eccentric, humorous.
Significance: Provides comic relief while encouraging Rowan to pursue Sloane.
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Thorsten Harris (Jeremy Carmichael) — The Cannibal
Role: Cannibalistic serial killer targeted during the second competition.
Personality: Pretentious, gaudy, arrogant, sadistic.
Significance: Nearly kills Rowan after drugging him and attempting to cook him for dinner.
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Harvey Mead — The Chainsaw Killer
Role: A brutal serial killer living on a remote Texas farm.
Personality: Unhinged, apathetic, violent, unstable.
Significance: Seriously injures Sloane during their confrontation and nearly kills her.
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Francis — The Voyeur
Role: Owner of the Cunningham Inn and the first competition target.
Personality: Creepy, voyeuristic, predatory, pathetic.
Significance: Secretly spies on guests through hidden passages in his inn.
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The Phantom — The Vengeful Stalker
Role: A mysterious vigilante introduced in the epilogue.
Personality: Religious, obsessive, vengeful, patient, fanatical.
Significance: Sets up the overarching threat for the next books by targeting the Kane family.
Annual August Showdown Timeline

The competition is repeatedly described as an annual August event, but the second contest appears to take place only six months after the first, placing it around February rather than August. The book later returns to the August schedule without explaining the discrepancy, creating a timeline inconsistency.

David Miller's Fake Lobotomy

David is ultimately revealed to have been pretending to be lobotomized, yet he convincingly maintains the appearance of severe neurological impairment for an extended period. Given how closely Rowan and especially Sloane observe people, it's difficult to believe neither notices that his condition is an act. While not impossible, the deception stretches credibility enough to qualify as a plot hole.

Q : How did you feel about the fact that Sloane and Rowan only target other serial killers? Did that make it easier to root for them, or did their enjoyment of killing blur the line between hero and villain?
A : They definitely remove dangerous people from the world, but they also genuinely enjoy the hunt. That moral gray area is part of what makes them such fascinating characters.
Q : Both Rowan and Sloane carry childhood trauma that shaped who they became. Do you think they found healing through each other, or did they simply find someone who accepted the darkest parts of them?
A : Their relationship feels like both. They don't erase each other's trauma, but they finally find someone who understands them without asking them to change.
Q : This book mixes graphic violence with humor in a way that's pretty unusual. Did the comedy make the darker moments easier to read, or did the tonal shifts ever throw you off?
A : For me, the humor kept the book from becoming relentlessly bleak. The banter made the characters feel surprisingly lovable despite everything they did.
Q : Sloane treats her crime scenes like works of art, while Rowan's style is much more chaotic and instinctive. What do you think those differences reveal about their personalities?
A : Sloane seems methodical and controlled, while Rowan embraces emotion and impulse. Even though they kill for similar reasons, they approach it in completely different ways.
Q : The romance develops over several years instead of happening right away. Did the slow burn make their relationship feel more believable?
A : The years of friendship, calls, and messages made their eventual romance feel earned. By the time they got together, it felt like they already knew each other inside and out.
Q : Were you surprised by the reveal involving David Miller, or did you suspect something was off before the twist?
A : I was caught off guard. Looking back, the clues were there, but his patience made him one of the more unsettling villains in the story.
Q : Rowan's proposal involves hiding an engagement ring inside a victim's eye socket. Why do you think such an outrageous proposal somehow works for these characters?
A : It perfectly fits their twisted sense of romance. In any other book it would be horrifying, but for them it felt oddly sweet because it reflected who they really are.
Q : Sloane spends much of the story believing she's impossible to love. Did you find her emotional journey convincing?
A : Yes. Her fears felt understandable given her past, which made Rowan's unconditional acceptance feel genuinely meaningful rather than rushed.
Q : Near the end of the novel, color begins appearing in Sloane's artwork and Rowan's tattoos. What do you think that change symbolizes?
A : It felt like a sign that they were finally experiencing joy instead of simply surviving. Their lives were still dark, but no longer empty.
Q : What did you think of Rowan's relationship with his brothers? Did the Kane family dynamic add anything to the story for you?
A : It balanced the darkness with humor and loyalty. Seeing Rowan interact with his family helped make him feel like a complete person instead of just a killer.
Q : After learning more about Lark, did your opinion of her change? Were you interested in reading her story next?
A : Absolutely. She initially seems like the normal best friend, but the hints about her past made me curious to see what secrets she was hiding.
Q : The epilogue introduces a dangerous new enemy and sets up the next book. What are your predictions, and what are you hoping to see in the sequel?
A : I expect the next story to raise the stakes by turning the hunters into the hunted. I'm also looking forward to seeing more of the Kane family and learning how Lark fits into that world.
5 / 5 Stars · Linda’s Rating

Butcher & Blackbird completely won me over and set a new standard for what I want from dark romance. On paper, a love story between two serial killers sounds like it should be disturbing, but Brynne Weaver somehow turns it into something surprisingly funny, heartfelt, and endlessly entertaining. Rowan and Sloane have incredible chemistry, and their relationship develops naturally through years of shared experiences, making every romantic milestone feel earned. The humor landed perfectly for me, balancing the graphic violence with playful banter and genuine emotional warmth. While the ending is fairly predictable, I actually appreciated that because it delivered exactly the satisfying payoff I was hoping for. This book never tries to be something it's not—it fully embraces its outrageous premise and executes it with confidence, charm, and a surprising amount of heart. If you're comfortable with extreme gore and dark subject matter, you'll find an addictive romance that's equal parts hilarious, sweet, and wildly unhinged. This is the book I'll be measuring every future dark romance against.

5 out of 5 stars -- Equal parts murder spree, flirting, and relationship goals.

Adaptation Overview

  • Title: Butcher & Blackbird
  • Based on: Butcher & Blackbird by Brynne Weaver (Book 1 of the Ruinous Love trilogy)
  • Format: Feature film
  • Production Companies: Lyrical Media and Ryder Picture Company
  • Status: Pre-production
  • Director: Chris McKay
  • Screenwriter: Laura Kosann
  • Author Involvement: Brynne Weaver is serving as an executive producer and has been actively involved in reviewing script revisions and providing input on casting decisions. (Ryder Picture Company)

Brynne Weaver has indicated that fan-favorite scenes—including the infamous dessert/ice cream sequence—are intended to remain in the adaptation, suggesting the filmmakers are aiming to preserve memorable moments from the novel. (Ryder Picture Company)

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