Incidents Around the House (2024)

3 Stars · Linda’s Rating
Page Count
367 pages
Release Date
2024-06-25

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⚠ Full Spoilers Ahead. This page contains complete plot summaries, the ending, and all major reveals. Turn back if you don’t want to be spoiled.
  • Child endangerment and peril
  • Child stalking and supernatural targeting
  • Demonic/supernatural possession
  • Body horror
  • Disturbing imagery
  • Infidelity
  • Paternity deception
  • Parental resentment and rejection
  • Emotional neglect
  • Alcohol abuse
  • Marijuana use
  • Murder and death
  • Violence and physical altercations
  • Blood and injury
  • Death of a pet
  • Gaslighting and disbelief
  • Animal peril
  • Panic attacks and extreme psychological distress
  • Dysfunctional family dynamics
  • Fear of abandonment

Eight-year-old Bela is haunted by Other Mommy, a monstrous entity that repeatedly asks permission to “go into” her heart. As the haunting intensifies, other people begin seeing the creature, forcing Ursula and Russ to accept that their daughter is telling the truth. They flee their home, attempt a spiritual banishment, hire a paranormal investigator, install security systems, and even bring in guard dogs, but nothing stops Other Mommy from following Bela.

Along the way, Bela is forced to confront devastating family secrets, including Ursula’s affair with Frank Doherty and the revelation that Russ is not her biological father. After Frank is found dead, Lois Anthony becomes convinced that Other Mommy is attracted to Bela’s innocence. Ursula and Russ therefore try to “revoke” that innocence by exposing Bela to the painful truths of their marriage and pasts, an experience so overwhelming that Bela attempts to drown herself.

The family briefly believes Other Mommy is gone, but after returning home, Bela discovers Grandma Ruth dead in a closet. Convinced that the entity will keep killing the people she loves until she gives in, Bela finally tells Other Mommy she can enter her heart. The truth is far worse than Bela realizes: they switch places. Other Mommy takes possession of Bela’s body and begins living as her, while the real Bela is cast into the entity’s empty, terrifying world and left trapped there.

Other Mommy Comes Out of the Closet

Eight-year-old Bela lives with her mother, Ursula, whom she calls Mommy, and her father, Russ, whom she calls Daddo. To everyone outside the family, Bela appears to have a normal childhood. Inside the house, however, she has been living with something terrifying.

At night, a creature Bela calls Other Mommy emerges from her bedroom closet. Other Mommy is vaguely human but horribly wrong, with dark hair covering parts of her body and features that seem to shift into unnatural positions. Again and again, she asks Bela the same question: “Can I go into your heart?”

Bela always refuses.

At first, Ursula and Russ assume Other Mommy is an imaginary friend, even though unsettling things begin happening around the house. There are unexplained noises, creaks, and a foul sewer-like smell that seems to accompany the entity. Bela knows Other Mommy is real, but because her parents don’t believe her, she is largely left to deal with the creature herself.

The haunting soon follows Bela outside her bedroom. During a trip to the park with her friend Deb and Deb’s mother, Carly, Bela sees Other Mommy hiding inside a wooden play structure. She panics, falls, and hits her head. Dr. Smith finds no serious physical injury, but he is concerned by Bela’s obvious distress when she talks about her supposed imaginary friend.

Other People Begin Seeing Her

At the same time, Bela is absorbing problems within her family that she doesn’t fully understand. Ursula is deeply unhappy in her marriage and is having an affair with Frank Doherty, a family friend. Bela notices enough of the adults’ conversations and behavior to understand that something is wrong, even when nobody explains it to her.

The supernatural threat becomes impossible to dismiss during a party at Bela’s house. A guest named Marsha suddenly screams after seeing a strange monster with dark blue hair. Bela immediately recognizes the description: Marsha has seen Other Mommy.

Another guest, Lois Anthony, takes the situation particularly seriously. Lois considers herself a “Sensitive” and believes in supernatural forces. She also senses something unusual about Bela herself and wonders whether the girl has some kind of spiritual sensitivity that makes her especially vulnerable to the entity.

After the party, Other Mommy grows bolder. She appears during a family trip to the zoo and begins manipulating Bela more aggressively. One night, she even imitates Ursula’s voice. The attacks finally reach the point where Ursula sees Other Mommy herself.

There is no longer any possibility of pretending Bela invented her.

The Family Runs, but Other Mommy Follows

Ursula and Russ grab Bela and flee the house, hoping distance will protect them. They initially stay with their friends Amanda and Dan, but the arrangement quickly deteriorates. Ursula and Russ are terrified and behaving erratically, while strange disturbances suggest that whatever is haunting Bela has followed them.

Amanda and Dan become frightened enough that they eventually ask the family to leave.

Their next refuge is the home of Bela’s grandmother, Ruth. As the adults struggle to understand what is happening, Ursula begins revealing secrets that have been hidden from Bela. She tells her daughter that Russ is not actually her biological father. Bela’s biological father is Douglas Cain, a man Ursula was married to before she met Russ.

For Bela, who has always understood Russ simply as Daddo, the revelation destabilizes the family she thought she knew. It also becomes part of a much larger pattern: as the haunting worsens, the adults increasingly believe that secrets, lies, and innocence somehow matter to whatever Other Mommy wants from her.

Lois Tries to Banish Other Mommy

Lois Anthony decides that a direct supernatural intervention may be their best chance. She gathers a circle of spiritualists—Kyle, Duane, Mary, Adina, and Ashley of the Moon—to perform a ritual intended to drive Other Mommy away from Bela.

Instead, the ritual goes disastrously wrong.

Kyle appears to fall under the entity’s influence and sabotages the attempt. He cryptically announces that Other Mommy has left Bela a “present.” Soon afterward, they discover what he means: Frank Doherty is dead, his body hidden inside a closet.

Frank’s death makes the danger unmistakable. Other Mommy isn’t simply frightening Bela anymore. People connected to the family can die.

Ursula, Russ, and Bela briefly take shelter at Frank’s house, hoping the entity might somehow be tied to their own home rather than to Bela herself. It doesn’t work. They can still sense Other Mommy’s presence, forcing them to accept that running from house to house isn’t going to solve anything.

Wherever Bela goes, Other Mommy can follow.

They Turn Their Home Into a Fortress

With nowhere safe to hide, the family returns home and tries a completely different approach. They fortify the house with sophisticated security equipment and bring in two enormous Cane Corso guard dogs, Kami and Kamael, hoping physical protection might accomplish what the spiritual ritual could not.

They also hire Brian, a paranormal investigator.

Brian, however, is far more interested in proving that a supernatural “event” exists than in protecting Bela. When Other Mommy violently manifests in the dining room, his reaction is almost ecstatic. He finally has the evidence he has wanted and even manages to physically interact with the entity.

Then, having gotten his paranormal experience, he leaves.

The family is once again on its own, and by now it is clear that cameras, locks, dogs, investigators, and rituals aren’t going to stop Other Mommy. The entity wants something very specific from Bela, and she has been telling them exactly what it is from the beginning: she wants Bela to let her “go into” her heart.

Ursula and Russ Try to Destroy Bela’s Innocence

Lois eventually proposes a far more disturbing solution. She calls it “revoking innocence.”

Her theory is that Other Mommy is attracted to Bela because of her childhood innocence. If Bela is forced to understand the ugliness and complexity of the adult world, perhaps she will no longer possess whatever quality makes her desirable to the entity.

Ursula and Russ take Bela to Sleeping Bear Dunes, where they begin telling her truths no eight-year-old should have to carry. They expose the failures, betrayals, resentments, and lies within their marriage. Ursula’s infidelity becomes part of a much larger confession about the instability Bela has sensed around her for years.

Instead of protecting Bela, her parents deliberately tear down her understanding of them and of the family itself because they believe doing so might save her life.

The emotional damage is devastating. Overwhelmed by what she has learned and by the relentless terror surrounding her, Bela goes into the lake and tries to drown herself.

She is rescued before she dies.

Despite how horribly the experiment has affected their daughter, the adults begin to hope that Lois’s theory may have worked. Bela now knows the painful truths they had kept from her. Her innocence, at least in the way Lois defined it, has been shattered.

For a brief time, it seems possible that Other Mommy is finally gone.

Bela Says Yes

After the failed attempt to “revoke” Bela’s innocence at Sleeping Bear Dunes, Bela, Ursula, Russ, and Grandma Ruth return home exhausted and emotionally shattered. The plan has not driven Other Mommy away. Instead, Bela is left more frightened than ever, knowing that the adults around her have no way to protect her.

That night, Grandma Ruth stays awake with Bela while Ursula and Russ sleep downstairs. Bela works on a Michigan puzzle as Ruth keeps her company, but something about the conversation begins to feel wrong. Ruth starts talking about the rooms inside a person’s heart and the things that can hide in those rooms, echoing the same ideas Other Mommy has spoken about throughout the haunting.

As the night continues, Bela experiences strange shifts in time and growing confusion. The woman beside her looks and sounds like Grandma Ruth, but Bela slowly realizes that something is terribly wrong.

She runs to the foyer closet and discovers Grandma Ruth’s dead body inside.

The horrifying truth becomes clear: the person who had been sitting with Bela all night was never Grandma Ruth. Other Mommy had taken Grandma Ruth’s form and used her voice to get close to Bela.

Then Bela hears Grandma Ruth’s voice coming from upstairs. She rushes to her bedroom and finds an even greater nightmare waiting for her. Ursula and Russ are dead, their bodies lying on the carpet.

Other Mommy has eliminated every person who might save Bela. Her parents, her grandmother, and every source of comfort she had are gone. The eight-year-old is completely alone.

For the final time, Other Mommy asks the question she has repeated since the beginning:

“Can I go into your heart?”

This time, Bela says yes.

Only now does Bela understand what Other Mommy truly wanted. The entity was never asking to become a small part of Bela’s life. She wanted Bela’s entire existence. She wanted the body, identity, and life that belonged to her.

When Bela gives permission, the two switch places. Other Mommy enters Bela’s body, finally becoming a living human being. She takes Bela’s appearance, her voice, and her place in the world, allowing her to live as “Bela” among the people who remain.

The real Bela is pushed out of her own body and sent into the strange place where Other Mommy came from—a vast, empty, terrifying space with no family, no home, and no way back.

The entity gets the life it has been seeking from the beginning.

Bela loses hers.

The ending of Incidents Around the House is as horrifying as it is tragic: after spending the entire novel resisting Other Mommy, Bela finally lets the entity into her heart—and loses her body and her life to it.

How Does Incidents Around the House End?

After the disastrous attempt to “revoke” Bela’s innocence at the beach, Bela, Ursula, Russ, and Grandma Ruth return home emotionally and physically exhausted. The ritual has failed to drive Other Mommy away. If anything, Bela is now more frightened and vulnerable than before.

That night, Grandma Ruth stays awake with Bela while Ursula and Russ sleep downstairs. As Bela works on a Michigan puzzle, however, reality begins to fracture. Grandma Ruth starts talking strangely about the rooms inside a person’s heart and the things that can hide within them. Bela experiences confusing jumps in time and gradually realizes that something is terribly wrong.

She runs to the foyer closet—and finds Grandma Ruth’s body inside.

The woman Bela thought she had been sitting with was never Grandma Ruth at all. It was Other Mommy impersonating her.

Bela then hears Grandma Ruth’s voice upstairs. By the time she reaches her bedroom, Ursula and Russ are dead, their bodies lying on the carpet. Other Mommy has stripped Bela of everyone who might protect her, leaving the eight-year-old completely alone.

And then comes the question that has haunted the entire novel:

Can I go into your heart?

This time, Bela says yes.

The meaning of Other Mommy’s question finally becomes clear. She never merely wanted Bela’s affection or permission to possess some small part of her. She wanted Bela’s life.

The two switch places. Other Mommy enters Bela’s body and becomes “Bela,” gaining everything she has coveted throughout the novel: a physical body, a voice, movement, and a place in the living world.

The real Bela is expelled into the place Other Mommy came from—a vast, empty, seemingly infinite space with no family, no house, and no home.

Other Mommy becomes Bela, and Bela becomes the ghost.

What Does Bela’s “Yes” Mean?

Bela’s final answer is especially devastating because Other Mommy does not truly defeat her through physical force. She spends the novel wearing Bela down until Bela is willing to surrender.

By this point, Bela has watched her family collapse. She has learned painful truths about her parents, endured increasingly terrifying encounters with Other Mommy, survived the traumatic beach ritual, lost her grandmother, and finally discovered her parents dead.

There is simply nothing left for her to hold on to.

Her “yes” can therefore be read as both surrender and sacrifice. Bela understands that Other Mommy will continue hurting people as long as she refuses. In the mind of a terrified child, giving the entity what it wants becomes the only remaining way to make the violence stop.

That is what makes the ending so cruel. Other Mommy engineers circumstances in which Bela’s consent is technically given but is anything but freely chosen.

The House and the Heart

The novel repeatedly connects the idea of a house with the human heart. Grandma Ruth describes the heart as containing different rooms and hidden corners, places where memories, emotions, secrets, and unwanted things can live.

Other Mommy turns that metaphor into something horrifyingly literal.

Throughout the story, she occupies the family’s physical house much as she gradually occupies Bela’s emotional world. She begins at the edges—in closets, shadows, and hidden spaces—and steadily moves closer.

Eventually, she does not simply want permission to enter another room.

She wants the whole house.

Bela’s body becomes the final house Other Mommy enters and claims. At the same time, Bela is sent somewhere where there is “no house” and “no home.” She has lost both her literal family home and the metaphorical home of her own body.

Why the Beach Ritual Makes Everything Worse

The failed “revoking innocence” ritual is one of the darkest ironies of the ending.

The adults believe Bela’s innocence is what makes her vulnerable, so Ursula and Russ attempt to destroy that innocence by revealing ugly truths about themselves and their marriage. Instead of strengthening Bela, however, their confessions destroy some of the security she still associates with her parents.

Bela discovers that the adults she depends upon are frightened, ashamed, deceptive, and deeply flawed.

The supernatural horror therefore becomes inseparable from the domestic horror. Other Mommy is the literal monster, but the secrets and betrayals inside Bela’s family create cracks that the monster can exploit.

The adults try to save Bela by forcing her into their complicated adult world. Instead, they leave her even less certain of what—or whom—she can trust.

The Failure of Parental Protection

At its core, the ending is also about the terrifying limitations of parents.

Ursula and Russ love Bela. They desperately try to save her. Yet love alone proves insufficient. Their panic sends them from one increasingly desperate solution to another, and some of those attempts inadvertently make Bela’s situation worse.

That doesn’t mean the novel equates Ursula and Russ with Other Mommy. The entity is deliberately predatory in a way Bela’s parents are not. But the story does draw an uncomfortable connection between supernatural monsters and the emotional damage adults can inflict on children without intending to.

Bela sees far more than the adults realize. She absorbs their arguments, lies, fears, resentments, and secrets even when she cannot fully understand them.

The haunting externalizes that vulnerability.

Why the Ending Is So Bleak

There is no last-minute rescue and no suggestion that Bela will somehow reclaim her body.

Other Mommy wins.

The entity has spent the novel longing to experience physical existence—to walk, speak, touch, and participate in the human world. By taking Bela’s body, she finally gets exactly what she wanted.

Bela suffers the inverse fate.

She began the novel as a living child haunted by something nobody else fully understood. She ends it as the unseen presence trapped somewhere beyond ordinary reality, inhabiting the kind of existence Other Mommy once occupied.

The hunted has effectively taken the place of the hunter.

That reversal gives the ending its final, chilling implication: to everyone who encounters her afterward, Bela may appear to have survived. But Bela is gone.

Something else is wearing her life.

And somewhere in an endless empty space, the real Bela remains alone—the final “incident” around the house becoming one nobody in the living world may ever know occurred.

🔶 Main Characters

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Bela — Protagonist and Narrator
Role: Eight-year-old girl targeted by the supernatural entity she calls Other Mommy.
Personality: Imaginative, sensitive, observant, loyal.
Significance: Her innocence and trust are what Other Mommy needs to manipulate her into consenting to possession.
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Other Mommy — Malevolent Entity
Role: Ancient supernatural entity haunting Bela and repeatedly asking to enter her heart.
Personality: Manipulative, parasitic, patient, deceptive.
Significance: It drives the entire haunting, mimicking trusted people and escalating its attacks until Bela is psychologically broken enough to surrender.
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Ursula (Mommy) — Bela’s Mother
Role: Bela’s mother, whose unhappy marriage, infidelity, and secrets become central to the family’s unraveling.
Personality: Frazzled, secretive, conflicted, resentful.
Significance: Her revelations about her affairs, motherhood, and Bela’s paternity are used during the disastrous attempt to “revoke” Bela’s innocence.
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Russ (Daddo) — Bela’s Father
Role: Bela’s loving legal father who raised her despite knowing she might not biologically be his child.
Personality: Optimistic, loving, jokey, naive.
Significance: He represents Bela’s strongest source of security and desperately tries to protect her as the haunting escalates.

🔷 Supporting Characters

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Lois Anthony — The Sensitive
Role: Occultist and spiritualist brought in to help the family fight Other Mommy.
Personality: Intense, perceptive, persistent, unconventional.
Significance: She recognizes that Other Mommy wants possession and eventually proposes stripping away Bela’s innocence so the entity will no longer desire her.
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Grandma Ruth — Bela’s Grandmother
Role: Ursula’s mother and one of Bela’s few remaining sources of safety.
Personality: Loving, pragmatic, blunt, protective.
Significance: She takes the haunting seriously and teaches Bela about the metaphorical “rooms” inside a person’s heart.
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Frank Doherty — Ursula’s Lover
Role: Family friend with whom Ursula is having an affair.
Personality: Secretive, adulterous, largely unseen.
Significance: His affair with Ursula exposes the fractures within Bela’s family and becomes part of Other Mommy’s manipulation.
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Douglas Cain — Ursula’s First Husband
Role: Ursula’s former husband and Bela’s biological father.
Personality: Bitter, distant, incompatible with Ursula.
Significance: His identity is one of the devastating family secrets revealed to Bela during the attempt to destroy her innocence.
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Brian — Paranormal Investigator
Role: Investigator hired to document and confront the supernatural activity.
Personality: Cynical, selfish, obsessive, opportunistic.
Significance: Rather than protecting Bela, he mainly wants proof that the supernatural exists.
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Deb — Bela’s Friend
Role: Bela’s young friend and playmate.
Personality: Playful, innocent, easily frightened.
Significance: She is present when Other Mommy first dramatically manifests outside Bela’s home.
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Carly — Deb’s Mother
Role: Ursula’s friend and Deb’s mother.
Personality: Social, friendly, concerned.
Significance: She witnesses the aftermath of Bela’s frightening encounter with Other Mommy at the park.
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Dr. Smith — Pediatrician
Role: Doctor who examines Bela following her fall at the park.
Personality: Serious, observant, methodical.
Significance: He recognizes that Bela is experiencing significant psychological distress and hears about “Other Mommy.”
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Marsha — Party Guest
Role: Friend attending Ursula and Russ’s house party.
Personality: Boisterous, social, sensitive.
Significance: She becomes the first adult to actually see Other Mommy, validating Bela’s claims that something supernatural is happening.
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Kyle — Spiritualist
Role: Member of Lois Anthony’s spiritual circle who participates in an attempted ritual.
Personality: Troubled, vulnerable, unstable.
Significance: He appears susceptible to Other Mommy and sabotages the group’s attempt to communicate with or banish it, announcing that it left Bela a “present.”
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Duane, Mary, Adina & Ashley of the Moon — Lois’s Spiritual Circle
Role: Spiritualists who assist Lois in attempting to confront Other Mommy.
Personality: Spiritual, fearful, uncertain.
Significance: They help conduct the ritual intended to thin the veil and communicate with the entity.
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Amanda & Dan — Family Friends
Role: Friends who temporarily shelter Bela and her parents along with their own baby.
Personality: Practical, concerned, protective.
Significance: Their inability to safely shelter the family demonstrates that escaping the original house cannot stop Other Mommy.
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Kami & Kamael — Guard Dogs
Role: Highly trained Cane Corsos hired to protect Bela and her family.
Personality: Alert, disciplined, protective.
Significance: They represent Russ and Ursula’s increasingly desperate attempt to use physical protection against a supernatural enemy.
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Kelvin — Babysitter
Role: Bela’s favorite teenage babysitter and one of the few people outside her family she trusts.
Personality: Kind, fun, distracted, friendly.
Significance: His trusted identity becomes another weapon when Other Mommy mimics his voice and appearance to deceive Bela.
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Quinn Dole — Russ’s Deceased Friend
Role: Russ’s high-school friend whose early death remains part of his memories.
Personality: Not substantially characterized.
Significance: Russ uses Quinn’s death to illustrate the tragedy of dying young and missing the experiences of an entire life.
Physicality vs. Invisibility on Camera

The entity can physically interact with people and objects, but the novel never explains why security cameras are unable to capture any evidence of it. Its ability to touch people, move objects, and cause physical harm suggests it exists in the physical world, making its complete absence from recorded footage difficult to reconcile.

The Entity’s Knowledge of Hidden Secrets

Other Mommy knows deeply personal secrets that Bela could not have known, including Ursula’s infidelity and family revelations. While the entity may have supernatural knowledge, the book never clearly establishes the limits of its abilities, making its access to private information feel inconsistent with the mystery surrounding it.

The Logistics of Frank’s Death

The entity appears to remain connected to Bela throughout the story, following her wherever the family goes. However, while it is present during the ritual at Lois Anthony’s house, it somehow also travels to Frank Doherty’s home, kills him, and leaves his body as a “present” for Bela. The book never explains how it can be in multiple places at once.

The Timing of the Final Murders

The final sequence requires Other Mommy to kill Grandma Ruth, arrange her body in the closet, and then quickly attack Bela’s parents upstairs. The speed and movement required are far beyond anything previously shown, creating a gap between the entity’s earlier slow, physical movements and its abilities during the climax.

Q : How did experiencing the story entirely through eight-year-old Bela’s perspective affect the horror for you? Did her limited understanding of what was happening make the story scarier, or did it sometimes create distance from the danger?
A : Bela’s innocence makes the horror especially unsettling because she doesn’t always recognize danger for what it is. She initially thinks of Other Mommy as a friend and doesn’t fully understand the problems between her parents. That gap between what Bela understands and what the reader understands creates tension, while also making her seem especially vulnerable.
Q : Grandma Ruth describes the heart as being like a house, with different rooms and hidden places. How do you think that idea connects to both the family’s actual house and the secrets they keep from one another?
A : The house becomes increasingly closed off and fortified as the haunting worsens, much like the family itself. Ursula and Russ have hidden painful truths in their own emotional “rooms,” and Other Mommy seems to thrive in those concealed spaces. The comparison suggests that what people hide inside themselves can become just as frightening as whatever might be hiding in a closet.
Q : Ursula’s infidelity and the revelation that Russ is not Bela’s biological father expose how much has been hidden within this family. Do you think those secrets actually strengthen Other Mommy’s power, or are the supernatural haunting and the family problems separate forces that simply collide?
A : The novel leaves room for both interpretations. Other Mommy is clearly a supernatural being, but she also seems drawn to the family’s guilt, resentment, and dishonesty. The haunting becomes more powerful as the family begins unraveling, making it feel as though the supernatural threat is feeding on weaknesses that were already there.
Q : Lois believes Bela can be protected by “revoking” her innocence, leading Ursula and Russ to tell her painful truths she was never emotionally prepared to hear. Do you think they made the right choice given how desperate the situation had become?
A : Their desperation makes the decision understandable, but the ritual may ultimately do more harm than good. Bela loses some of her faith in the parents who are supposed to make her feel safe. Instead of simply taking away her innocence, they may also take away an important source of security, leaving her even more vulnerable to Other Mommy.
Q : Other Mommy can be read as a literal supernatural monster, but she also echoes some of Ursula’s darkest feelings about motherhood and family life. What did Other Mommy represent to you beyond the physical threat she poses?
A : Other Mommy can represent the resentment, guilt, and selfish desires that Ursula tries to keep hidden. Her desire to take Bela’s life for herself is particularly disturbing because Ursula sometimes expresses a desire to escape her own responsibilities. That parallel makes Other Mommy feel like both an independent monster and a distorted reflection of the family’s emotional problems.
Q : Russ frequently tries to understand and categorize fear rather than simply surrendering to it. Did his optimism and tendency to intellectualize frightening situations help Bela, or did they keep him from recognizing how serious the danger was?
A : Russ’s calmness probably helps Bela feel safer for a while, which is valuable when she is already terrified. At the same time, his instinct to explain and manage fear may contribute to the adults responding too slowly. His optimism works well as parenting until they encounter something that cannot be reasoned with or controlled.
Q : The family seeks help from investigators, religious figures, psychics, and other outsiders, yet no one is ultimately able to save them. Why do you think the novel repeatedly introduces possible sources of help only to have them fail?
A : Each failed attempt increases the family’s isolation and removes another possible escape route. It also reinforces the idea that some problems cannot be handed over to an expert to solve. By the end, the family has tried nearly everything, making their desperation—and Bela’s eventual belief that no one can protect her—much more convincing.
Q : Grandma Ruth is one of the few adults who immediately believes Bela and treats her fears seriously. Why do you think even she is ultimately powerless against Other Mommy?
A : Grandma Ruth gives Bela something the others often fail to provide: belief without hesitation. But believing Bela does not necessarily mean she understands what Other Mommy is or how to defeat it. Her death is especially devastating because it removes one of Bela’s last dependable sources of comfort and leaves her increasingly alone.
Q : Ursula and Russ eventually bring in guard dogs, cameras, alarms, and other physical protections against Other Mommy. What do these increasingly desperate defenses reveal about the parents and the way they understand the threat?
A : The defenses show how badly Ursula and Russ want to regain control. They keep responding to an unknowable supernatural presence with things they understand—locks, surveillance, animals, weapons. The more they fortify the house, however, the less it resembles a home, suggesting that their attempts to protect Bela are also destroying the sense of safety they are trying to preserve.
Q : Bela spends much of the novel refusing Other Mommy’s repeated request to “go into” her heart, yet eventually says yes. What do you think finally changes for Bela in that moment?
A : By then, Bela has lost nearly everything that made saying no meaningful. Her understanding of her family has been shattered, the adults who promised to protect her have failed, and she is traumatized and alone. Her yes feels less like a deliberate choice than the culmination of Other Mommy systematically destroying every reason Bela had to keep resisting.
Q : Bela repeatedly misunderstands “reincarnation” as “carnation.” What does this small misunderstanding add to the story and to our understanding of Bela?
A : It captures the dangerous gap between Bela’s innocence and the reality surrounding her. “Carnation” sounds harmless and even pretty, while reincarnation represents Other Mommy’s terrifying plan to take over Bela’s life. Bela understands enough to participate in conversations about terrifying things, but not enough to grasp their full meaning, which makes her vulnerability even more disturbing.
Q : The ending leaves Other Mommy in Bela’s body while Bela is trapped in the Other Place. What made that ending especially disturbing—or effective—for you, and what do you imagine happens to “Bela” afterward?
A : The ending is frightening because the monster doesn’t simply kill Bela—it steals her place in the world. Other Mommy has spent the novel watching the family and learning how people behave, so she may be capable of convincingly performing Bela’s identity. The possibility that everyone else could eventually accept this imitation as the surviving child makes Bela’s fate feel even more horrifying.
3 / 5 Stars · Linda’s Rating

Incidents Around the House had all the ingredients for a horror novel I should have loved: a creepy house, a terrifying entity lurking around a child, dysfunctional family secrets, and an increasingly claustrophobic sense that something awful is coming. And when it comes to atmosphere, Josh Malerman absolutely delivers. Other Mommy is genuinely unsettling, and some scenes gave me that deliciously uncomfortable feeling of wanting to look over my shoulder while reading.

Unfortunately, the narration kept me from fully connecting with the story. Bela’s childlike retelling of conversations—with the constant repetition of who said what—became tedious, and I never felt particularly invested in the adults around her. I also struggled with the ambiguity surrounding what the book ultimately wanted me to take away from everything.

There’s a fascinating concept underneath it all, particularly in the way childhood fear, family dysfunction, and supernatural horror intertwine. I just wanted a tighter execution and a more satisfying payoff. Creepy? Absolutely. Memorable? Definitely. But for me, 3 stars feels right: great premise and fantastic atmosphere, but a frustrating reading experience.

3 out of 5 stars -- Other Mommy gave me chills. The narration gave me patience-testing exercises.

🎬 Other Mommy (2026) — Film Adaptation Overview

Title: Other Mommy
Based on: Incidents Around the House (2024) by Josh Malerman
Production Companies: Atomic Monster and Blumhouse
Distributor: Universal Pictures
Release Date: October 9, 2026 (theatrical)
Director: Rob Savage (The Boogeyman)
Cast: Jessica Chastain, Jay Duplass, Arabella Olivia Clark, Dichen Lachman
Source Author: Josh Malerman

The film adapts Malerman’s psychological supernatural horror novel about eight-year-old Bela, a child whose family is terrorized by a mysterious entity she calls “Other Mommy.” The creature repeatedly asks Bela the chilling question: “Can I go inside your heart?” As the haunting escalates, the story explores childhood fear, family fractures, and the terrifying vulnerability of seeing the world through a child’s eyes.


Key Differences

(Based on currently available adaptation information as of August 2026)

Tone Changes

  • Novel: The book’s horror is deeply psychological and intimate, relying heavily on Bela’s childlike narration. The fear comes from the contrast between her innocent understanding of events and the disturbing reality surrounding her.
  • Film: The adaptation is positioned as a more traditional supernatural horror experience, likely emphasizing visual scares, atmosphere, and the physical presence of Other Mommy.

Structural Changes

  • Novel: Told entirely through Bela’s perspective, creating a limited viewpoint where readers only understand adult conflicts as Bela interprets them.
  • Film: The movie format may broaden the perspective beyond Bela, allowing audiences to see events, parental reactions, and the haunting from outside her viewpoint.

Character Changes

  • Bela: The film centers the character as in the novel, with Arabella Olivia Clark portraying the eight-year-old protagonist.
  • Parents: Jessica Chastain and Jay Duplass play Bela’s parents, likely bringing greater focus to the adult emotional breakdown caused by the haunting.
  • Other Mommy: The entity remains the central supernatural threat, though the visual design and physical manifestation will likely differ from readers’ imaginations.

What the Adaptation Emphasizes

  • The supernatural horror of a family being invaded by an impossible presence.
  • The relationship between Bela and the entity.
  • The emotional collapse of a household under extreme fear.
  • The visual transformation of Other Mommy from a disturbing concept into a cinematic creature.

What It May Soften, Remove, or Expand

  • The novel’s unusual child-narrator style may be reduced because film cannot rely as heavily on internal narration.
  • Some of Bela’s interpretations of adult behavior may be expanded or clarified for viewers.
  • The adaptation may expand the parents’ emotional perspectives and the investigation of the haunting.
  • The disturbing psychological ambiguity of whether Bela fully understands what is happening may shift toward a more conventional horror structure.

At this stage, the biggest adaptation question is how the film handles the novel’s defining feature: the horror of experiencing a supernatural attack entirely through the mind of an eight-year-old child.

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📖 Reporting for: Incidents Around the House (2024)